About Formation Lyrics by Beyoncé
“Formation” is a song recorded by American singer Beyoncé for her sixth studio album Lemonade (2016). Khalif Brown, Beyoncé, Asheton Hogan, and Mike Will Made It all wrote and produced the song.
It was the first song from the album, and Parkwood Entertainment put it out on February 6, 2016. The song was praised by critics, and several publications named it the best song of the 2010s.
Melina Matsoukas directed the song’s music video, which was released on the same day as the song itself on Beyoncé’s official YouTube account. It got mixed reviews because some people thought it was anti-police, which the singer rejected.
Also, the video was controversial because it used documentary footage. But some critics liked how it showed African-Americans in ways that aren’t often shown in popular media. Beyoncé played the song at the Super Bowl 50 halftime show, where she was a guest performer, the day after it came out.
Beyoncé started her The Formation World Tour in 2016, which was named after the song. “Formation” was the song people looked for the most on Google in 2016. “Formation” was up for Record of the Year, Song of the Year, and Best Music Video at the Grammys. It was also on a number of year-end lists.
Formation Lyrics Video Song on Youtube
Formation Lyrics in English
Start of the Lyrics
[Intro: Messy Mya]
What happened at the New Wil’ins?
Bitch, I’m back by popular demand
[Refrain: Beyoncé]
Y’all haters corny with that Illuminati mess
Paparazzi, catch my fly and my cocky fresh
I’m so reckless when I rock my Givenchy dress (Stylin’)
I’m so possessive so I rock his Roc necklaces
My daddy Alabama, momma Louisiana
You mix that negro with that Creole, make a Texas bama
I like my baby heir with baby hair and afros
I like my negro nose with Jackson Five nostrils
Earned all this money, but they never take the country out me
I got hot sauce in my bag, swag
[Interlude: Messy Mya & Big Freedia]
Oh yeah, baby, oh yeah I, oh, oh, yes, I like that
I did not come to play with you hoes, haha
I came to slay, bitch
I like cornbreads and collard greens, bitch
Oh, yes, you besta believe it
[Refrain: Beyoncé]
Y’all haters corny with that lluminati mess
Paparazzi, catch my fly and my cocky fresh
I’m so reckless when I rock my Givenchy dress (Stylin’)
I’m so possessive so I rock his Roc necklaces
My daddy Alabama, momma Louisiana
You mix that negro with that Creole, make a Texas bama
I like my baby heir with baby hair and afros
I like my negro nose with Jackson Five nostrils
Earned all this money but they never take the country out me
I got hot sauce in my bag, swag
[Chorus: Beyoncé]
I see it, I want it, I stunt; yellow bone-it
I dream it, I work hard, I grind ’til I own it
I twirl on them haters, albino alligators
El Camino with the seat low, sippin’ Cuervo with no chaser
Sometimes I go off (I go off), I go hard (I go hard)
Get what’s mine (Take what’s mine), I’m a star (I’m a star)
‘Cause I slay (Slay), I slay (Hey), I slay (Okay), I slay (Okay)
All day (Okay), I slay (Okay), I slay (Okay), I slay (Okay)
We gon’ slay (Slay), gon’ slay (Okay), we slay (Okay), I slay (Okay)
I slay (Okay), okay (Okay), I slay (Okay), okay, okay, okay, okay
Okay, okay, ladies, now let’s get in formation, ’cause I slay
Okay, ladies, now let’s get in formation, ’cause I slay
Prove to me you got some coordination, ’cause I slay
Slay trick, or you get eliminated
[Verse: Beyoncé]
When he fuck me good, I take his ass to Red Lobster, ’cause I slay
When he fuck me good, I take his ass to Red Lobster, we gon slay
If he hit it right, I might take him on a flight on my chopper, I slay
Drop him off at the mall, let him buy some J’s, let him shop up, ’cause I slay
I might get your song played on the radio station, ’cause I slay
I might get your song played on the radio station, ’cause I slay
You just might be a black Bill Gates in the making, ’cause I slay
I just might be a black Bill Gates in the making
[Chorus: Beyoncé]
I see it, I want it, I stunt; yellow bone-it
I dream it, I work hard, I grind ’til I own it
I twirl on my haters, albino alligators (Twirl)
El Camino with the seat low, sippin’ Cuervo with no chaser
Sometimes I go off (I go off), I go hard (I go hard)
Take what’s mine (Take what’s mine), I’m a star (I’m a star)
‘Cause I slay (Slay), I slay (Hey), I slay (Okay), I slay (Okay)
I slay (Okay), I slay (Okay), I slay (Okay), I slay (Okay)
We gon’ slay (Slay), gon’ slay (Okay), we slay (Okay), I slay (Okay)
I slay (Okay), okay (Okay), I slay (Okay), okay, okay, okay, okay
Okay, okay, ladies, now let’s get in formation, I slay
Okay, ladies, now let’s get in formation, ’cause I slay
Prove to me you got some coordination, ’cause I slay
Slay trick, or you get eliminated, I slay
[Bridge: Beyoncé]
Okay, ladies, now let’s get in formation, I slay
Okay, ladies, now let’s get in formation
You know you that bitch when you cause all this conversation
Always stay gracious, best revenge is your paper
[Outro]
Girl, I hear some thunder
Golly, look at that water, boy, oh Lord
End of the Lyrics
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Authors Opinion on Formation Lyrrics
Beyoncé’s “Formation” is more than just a song; it’s a cultural and political statement. The lyrics and visuals in this track offer a powerful commentary on race, identity, and empowerment, particularly for Black women.
The song opens with a sample from Messy Mya, a New Orleans bounce artist who was murdered in 2010. This immediately places the song within the context of New Orleans and its rich cultural history, setting the stage for the song’s exploration of Beyoncé’s Creole and Southern heritage.
Throughout the song, Beyoncé takes ownership of her identity and proudly celebrates her roots, emphasizing her Afro-Creole heritage, her “baby hair and afros,” and the unique features of her “negro nose with Jackson Five nostrils.” By doing so, she challenges Eurocentric beauty standards and embraces the natural beauty of Black features.
The refrain dismisses the conspiracy theories surrounding her success (“Y’all haters corny with that Illuminati mess”) and instead highlights her confidence and swagger. She’s unapologetically “reckless” in her style and manner, and she wears her success proudly, symbolized by her Givenchy dress and Roc necklaces.
The reference to “hot sauce in my bag, swag” is more than just a catchy phrase; it’s a nod to her Southern roots, as hot sauce is a staple condiment in many Southern and Creole dishes. This line connects her to her cultural heritage and serves as a symbol of her authenticity.
The interlude featuring Messy Mya and Big Freedia adds to the New Orleans flavor of the song and reinforces the themes of empowerment and confidence. It’s a declaration that Beyoncé didn’t come to play; she came to “slay” and make a statement.
The chorus emphasizes her ambition and determination to succeed, even in the face of adversity. She’s unapologetic about her desires and aspirations, and she encourages others to join her in “formation.” The repeated phrase “I slay” is not just about looking good; it’s about conquering challenges, defying stereotypes, and taking control of her life.
The bridge is a call to action, encouraging women to unite, celebrate their accomplishments, and take control of their destinies. Beyoncé portrays herself as a powerful figure who is unafraid to address racial and gender inequalities.
In the outro, she acknowledges the brewing storm, both literally and metaphorically, hinting at the social and political changes that are on the horizon.
In conclusion, “Formation” is a groundbreaking song that goes beyond its catchy beat and lyrics. It’s a powerful declaration of self-identity, pride in one’s roots, and a call for empowerment and unity. Beyoncé uses her platform to address important social issues and redefine what it means to be a confident and successful Black woman in America. The song and its accompanying visuals have left an indelible mark on pop culture and continue to inspire conversations about race, identity, and empowerment.
Formation Lyrics Credit Details
- Song Title – “Formation”
- Film/Album – Lemonade (2016)
- Produced By – Pluss, Beyoncé & Mike WiLL Made-It
- Written By – Slim Jxmmi, Pluss, Mike WiLL Made-It, Swae Lee & Beyoncé
- Label – Parkwood Entertainment & Columbia Records
- Performance Rights – ASCAP & BMI
- Publisher – Sony Music Entertainment, New World Music, Warner Music Group, Warner/Chappell, Ear Drummers, Sony/ATV Tunes, Oakland 13 Music & Warner-Tamerlane Publishing Corp.
- Horn Arranger – Derek Dixie
- Vocal Producer – Beyoncé
- Video Director – Melina Matsoukas
- Video Production Company – Prettybird
- Appearance – Big Freedia & Messy Mya
- Co-Producer – Pluss
- Ad-Libs – Swae Lee
- Additional Background Ad Libs – Big Freedia
- Recording Engineer – Stuart White
- Mixing Engineer – Jaycen Joshua
- Mastering Engineer – Dave Kutch
- Assistant Mixing Engineer – David Nakaji, Arthur Chambazyan & MaddMix
- Trumpet – Matt Doe
- Recorded At – The Beehive, Los Angeles, CA
- Release Date – February 6, 2016
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