The Lyrics Aaron Burr Sir is from the 2015 Hamilton: An American Musical (Original Broadway Cast Recording). The song’s lyrics were written by Lin-Manuel Miranda, and it was produced by Bill Sherman,?uestlove, Black Thought, Alex Lacamoire, and Lin-Manuel Miranda. Find the ideal lyrics to chant along with the music video for this song on YouTube.
Aaron Burr Sir Lyrics Video Song on Youtube
Aaron Burr Sir Lyrics in English
Opening Lines of Lyrics
[Company:]
1776. New York City.
[Hamilton:]
Pardon me. Are you Aaron Burr, sir?
[Burr:]
That depends. Who’s asking?
[Hamilton:]
Oh, well, sure, sir
I’m Alexander Hamilton, I’m at your service, sir
I have been looking for you
[Burr:]
I’m getting nervous
[Hamilton:]
Sir…
I heard your name at Princeton. I was seeking an accelerated course of study when I got sort of out of sorts with a buddy of yours. I may have punched him. It’s a blur, sir. He handles the financials?
[Burr:]
You punched the bursar
[Hamilton:]
Yes!
I wanted to do what you did. Graduate in two, then join the revolution. He looked at me like I was stupid, I’m not stupid.
So how’d you do it? How’d you graduate so fast?
[Burr:]
It was my parents’ dying wish before they passed
[Hamilton:]
You’re an orphan. Of course! I’m an orphan
God, I wish there was a war!
Then we could prove that we’re worth more
Than anyone bargained for…
[Burr:]
Can I buy you a drink?
[Hamilton:]
That would be nice
[Burr:]
While we’re talking, let me offer you some free advice
Talk less
[Hamilton:]
What?
[Burr:]
Smile more
[Hamilton:]
Ha
[Burr:]
Don’t let them know what you’re against or what you’re for
[Hamilton:]
You can’t be serious
[Burr:]
You wanna get ahead?
[Hamilton:]
Yes
[Burr:]
Fools who run their mouths off wind up dead
[Laurens:]
Yo yo yo yo yo!
What time is it?
[Laurens/Lafayette/Mulligan:]
Show time!
[Burr:]
Like I said…
[Laurens:]
Show time! Show time! Yo!
I’m John Laurens in the place to be!
A two pints o’ Sam Adams, but I’m workin’ on three, uh!
Those redcoats don’t want it with me!
‘Cause I will pop chick-a pop these cops ’til I’m free!
[Lafayette:]
Oui oui, mon ami, je m’appelle Lafayette!
The Lancelot of the revolutionary set!
I came from afar just to say “Bonsoir!”
Tell the King “Casse toi!” Who’s the best?
C’est moi!
[Mulligan:]
Brrrah brraaah! I am Hercules Mulligan
Up in it, lovin’ it, yes I heard ya mother said, “Come again?”
[Lafayette and Laurens:]
Ayyyyy
[Mulligan:]
Lock up ya daughters and horses, of course
It’s hard to have intercourse over four sets of corsets…
[Lafayette:]
Wow
[Laurens:]
No more sex, pour me another brew, son!
Let’s raise a couple more…
[Laurens/Lafayette/Mulligan:]
To the revolution!
[Laurens:]
Well, if it ain’t the prodigy of Princeton college!
[Mulligan:]
Aaron Burr!
[Laurens:]
Give us a verse, drop some knowledge!
[Burr:]
Good luck with that: you’re takin’ a stand
You spit. I’mma sit. We’ll see where we land
[Lafayette/Mulligan:]
Boooo!
[Laurens:]
Burr, the revolution’s imminent. What do you stall for?
[Hamilton:]
If you stand for nothing, Burr, what’ll you fall for?
[Mulligan/Lafayette/Laurens:]
Ooh
[Laurens:]
Who are you?
[Mulligan:]
Who are you?
[Lafayette:]
Who are you?
[Mulligan/Lafayette/Laurens:]
Ooh, who is this kid? What’s he gonna do?
Closing Lines of Lyrics
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Aaron Burr Sir Song Credits
- Produced By – Bill Sherman, ?uestlove, Black Thought, Alex Lacamoire & Lin-Manuel Miranda
- Song Title – “Aaron Burr Sir”
- Film/albums – Hamilton: An American Musical (Original Broadway Cast Recording) (2015)
- Written By – Lin-Manuel Miranda
- Primary Artists – Lin-Manuel Miranda, Leslie Odom Jr., Anthony Ramos, Daveed Diggs & Okieriete Onaodowan
- Performance Rights – ASCAP
- Publisher – PECF, New World Music, Warner Music Group, Warner/Chappell & 5000 Broadway Music
- Masterer – Tom Coyne
- Mixer – Tim Latham
- Vocals – Daveed Diggs, Anthony Ramos, Leslie Odom Jr., Okieriete Onaodowan & Lin-Manuel Miranda
- Drum Programmer – Randy Cohen
- Programmer – Scott Wasserman
- Violin – Erin Benim & Mario Gotoh
- Viola – Mario Gotoh
- Percussion – Benny Reiner
- Harp – Laura Sherman
- Drums – Andres Forero
- Synthesizer – Randy Cohen
- Orchestration – Alex Lacamoire
- Cello – Anja Wood
- Keyboards – Kurt Crowley, Benny Reiner, Alex Lacamoire & Richard Hammond
- Bass – Richard Hammond
- Guitar – Robin Macatangay
- Banjo – Robin Macatangay
- Conductor – Alex Lacamoire
- Wooden Table Played By – ?uestlove
- Recorded At – Avatar Studios
- Release Date – September 25, 2015
Opinion
These lyrics are from the Broadway musical “Hamilton” and depict a scenario in which Alexander Hamilton expresses his admiration for Aaron Burr and seeks a connection with him. The lyrics also contrast the personas of Alexander Hamilton and Aaron Burr, laying the stage for their eventual rivalry.
The conversation between Hamilton and Burr reveals Hamilton’s desire to make an impact and participate in the revolution. He expresses his wish to accelerate his studies, earn his degree rapidly, and join the cause. In contrast to Hamilton’s zeal and ambition, Burr’s demeanour is more circumspect and reserved. Burr advises Hamilton to be more strategic and circumspect with his words and deeds, believing that speaking less and beaming more will aid in one’s success.
The lyrics then segue into a freestyle interlude with John Laurens, Marquis de Lafayette, and Hercules Mulligan. They contribute verses highlighting the characteristics and duties of their characters in the revolution. Laurens is depicted as courageous and defiant, Lafayette as a competent and assured combatant, and Mulligan as a charismatic and comical character.
The scene concludes with a confrontation between Hamilton and Burr, during which Hamilton confronts Burr’s hesitancy and urges him to take a stand. In contrast to Burr’s more circumspect approach, the lyrics emphasise Hamilton’s conviction and belief in upholding one’s principles.
Overall, these lyrics capture Hamilton and Burr’s first meeting, highlighting their divergent personalities and foreshadowing the conflict that will develop throughout the musical. The rap verses’ rapid-fire delivery and wordplay lend dynamism and energy to the scene, contributing to the musical’s overall style and cadence.
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